Double Broadsword pt.3
This blog ended up being one of those "figure it out as you write it" so forewarning my thoughts are a bit disjointed in this one.
This year while I am building my weapons form I am noticing that I'm focusing more on the flow within a move compared to the flow between moves like I was last year. Having a single sword last year gave me a focal point for my energy and I would try to move the rest of my body in a way to support that. But now that I have two swords the energy and flow isn't as obvious to me.
It could also be that each individual technique has a lot more going on, trying to use both arms simultaneously so that a single move almost becomes a mini form in and of itself? Where as before I would do a slash, or a block, now slashes, blocks, spins, sweeps and strikes sometimes all happen in a single move. Which is why the flow within a single technique feels more obvious this time around?
It could also be that both my swords are fairly light. Last year my heavy plastic sword was a fantastic tool to feel the momentum of the sword and where it wanted to go next, which could be part of why I'm having trouble establishing an order of techniques because once I finish a move I can get overwhelmed with possibilities of what comes next?
It could also be that I am building this form with the intention of having it be more flexible during the building process. I have a general idea about the footwork but there is a lot of room for change right now because I want to be able to rearrange things to make sure all the pieces are fitting together in the best way.
Last year it felt like I was telling a story as I was building my form "ok what comes next?" In my mind there was no wiggle room for reordering things because then the story wouldn't make sense any more. This year it feels more like I'm putting together a puzzle "I have lots of the pieces now I just need to figure out which ones fit together and where?" What I though was the beginning or my form has been shifted around to the end. Many of the starting stances for a particular section are the same so any one of them could fit into a particular spot, but I'm trying to work on which one will fit the best.
These mental descriptions of a story VS a puzzle are exactly the reason I think I'm feeling the differences in flow. Of course if I'm thinking of the form as a natural progression from one thing to another they will feel more connected from move to move. Compared to thinking of them as individual pieces that look like they can fit into many places which is probably why I can't feel the flow between them very well.
Yet.
I'm hoping that once I have a complete first draft of the form I can start to solidify, and make choices about ordering and stances that will allow me to feel the flow between moves as well as within them.
Many great thoughts to ponder, but it sounds like you have a great platform to work with! Looking forward to seeing it!
ReplyDeleteIt is easy to silo our intent when we are of singular focus. Hence why people rarely advance beyond black belt to the master levels. Intent is fluid, requiring minute awareness throughout the range of a technique to maximize the delivery of your energy. This is never more apparent than we simultaneously wield multiple weapons. This is where it is obvious that our intent must serve multiple goals separately together.
ReplyDeleteThis is how you keep advancing in your training.
ReplyDelete